Review - "The Portrait of a Lady," Henry James
Apologies for two essays in two days, but we have to leave for Rye this afternoon and will be gone for two days.
Indicative of how little things change, there is an exchange in this novel, which will be familiar to many today. It is when old Daniel Touchett speaks to Isabel about the “radicals of the upper class:” Their “progressive ideas are about their greatest luxury. They make them feel moral and yet don’t damager their positions.” Plus c’est la même chose.
Regardless, I believe you will enjoy this book, among the best I have read.
Sydney M. Williams
Burrowing into Books
The Portrait of a Lady, 1908, Henry James (1843-1916)
February 16, 2025
“I’m very fond of my liberty.”
Isabel speaking
The Portrait of a Lady, Henry James
I like to read but am no expert on literature. Nevertheless, in my opinion, this novel ranks with Tolstoy’s Anna Karenina. The title is interesting, as we learn about Isabel Archer, because a person is more than an artist’s rendition. In the last few pages, Isabel slips from the frame we had thought enclosed her. Writing the “Introduction” to the Oxford Word’s Classic edition, Professor Roger Luckhurst concludes: “From this busted frame Isabel evades final determination, and James leads us toward the era of the modern novel.”
The story opens at Gardencourt, an early Tudor mansion on the Thames, about 40 miles west of London, home to the American expatriate Daniel Touchett, his wife Lydia and their sickly son Ralph. Lydia Touchett had visited her sisters in Albany, New York and returns with her niece, Isabel Archer, who is in her early 20s. She displays “a great deal of confidence,” is “slim and charming, and “unexpectedly pretty.” She is a breath of fresh air in an English society locked in a class struggle. It is significant that her first marriage proposal in England comes from Lord Warburton whose home Lockleigh, with its 50,000 acres, is adjacent to Gardencourt. She rejects him on the basis that she wants to be free, to see more of life, just as she had earlier rejected Casper Goodwood, an old flame from the U.S., a suitor who reappears in the story.
The scene shifts to Florence and then Rome, where most of the story takes place. In Florence, she meets the impoverished, deceptive American ex-patriate Gilbert Osmond – an older man, with a beautiful 15-year-old daughter, Pansy, who has been schooled by Catholic nuns – and the duplicitous Madame Merle who serves as nemesis to Isabel. At first the two women are thrown together, and the naïve Isabel opens up to her. “Sometimes she [Isabel] took alarm at her candour: it was as if she had given to a comparative stranger the key to her cabinet of jewels.” Once Madame Merle convinces Osmond he should marry the heiress Isabel, she goes to work on Isabel. Isabel marries Osmond, but as time progresses, she is unhappy and realizes Madame Merle does not have her interests: “She carried her flag discreetly, but her weapons were polished steel, and she used them with a skill which struck Isabel as more and more that of a veteran.”
Roughly five years pass from Isabel’s arrival in England until her return alone to Gardencourt to see her dying cousin. It is Ralph who advises Isabel: “Take things more easily…Don’t question your conscience so much…Spread your wings; rise above the ground. It’s never wrong to do that.” She had spread her wings in Florence, then found herself in an uncomfortable nest. She knows she does not belong in her marriage nest and senses wisdom in her dying cousin’s words.
James does not tell the reader how Isabel’s search ends, what the finished portrait looks like. But then, do any of us know how our stories will end? We suspect Isabel is wiser, and we also know she is both loyal and fond of liberty. Will she return to her husband in Florence, go back to the U.S. and marry Casper, or will she continue to travel, to investigate, to learn more about herself? We don’t know. It is an unfinished portrait.
Labels: Henry James, Isabel Archer, Professor Roger Luckhurst