"On Reading"
Sydney M. Williams
Essays from Essex
“On Reading”
February 20,
2017
“The more you read, the more things you will know.
The
more that you learn, the more places you’ll go.”
Dr.
Seuss (Theodore Geisel, 1904-1991)
I
Can Read with My Eyes Shut
With eyes focused on the ceiling,
having been accused that what he had drunk could fill half the room, Winston
Churchill allegedly retorted, “so much to
do, so little time.” Readers, looking at shelves of unread books, feel the
same way.
Between five and ten million books
have been published in my lifetime. A reasonable estimate for the number of books
published before I was born would be another million, including, of course, the
Bible and most of what we consider the classics: Homer, Shakespeare, Sir Walter
Scott, Austen, the Bronte sisters, Dickens, Robert Louis Stevenson, Orwell, Wodehouse,
Tolstoy[1], Dostoevsky,
Melville, Hawthorne, Twain, Alcott – an array of literature that would be
virtually impossible for the average person to read in a lifetime – and which
would leave no time for modern fiction, poetry, essays, histories and biographies.
Thoreau once wrote, apropos of the myriad choices we are given, “Read the best books first, or you may not
have a chance to read them at all.” P.J. O’Rourke saw humor in the problem:
“Always read something that will make you
look good if you die in the middle of it.”
A fast reader might plow through 100
books a year. (I usually read between thirty-five and forty.) But, let’s assume
a man or woman in their 80s read fifty books a year for 70 years. That would
mean a lifetime of reading would consume 3,500 books. I am told, in this day when
books come off presses like rabbits, that about 250,000 books are published
each year in the U.S., with another 700,000 self-published. This trend is not
new. Over a century ago Oscar Wilde, placing wit to words, wrote, “In old days, books were written by men of
letters and read by the public. Nowadays, books are written by the public and
read by nobody.” Most books, like
old soldiers, do fade away, leaving not even a small indentation on the mind of
the reading public. My brother Willard, who owns the Toadstool, tells me that
perhaps a hundred or so books make the New York Times best seller list every
year; even then, many are bought to be displayed, not read. We are reminded of
Churchill’s comments on drinking: So much to read, so little time! But such
concerns should not dissuade the reader.
Like many, my interests exceed my
abilities. Books are purchased with greater rapidity than can be read. So the
decision of which book to read is difficult. (Keep in mind, I am only capable
of reading about 0.0035% of the books published each year, and that assumes I
read nothing that was published in past years.) C.S. Lewis admonished us: “It is a good rule after reading a new book,
never to allow yourself another new one [until] you have read an old one in
between.” Wise advice, in my opinion.
In general, I prefer dead writers of
fiction and live writers of history and biography. Don’t ask me why. I just do.
Of course there are exceptions, like my very much alive daughter-in-law, New
York Times best-selling author Beatriz Williams. Besides raising four children
and keeping her husband in check, she writes three books a year. As to whether
the writer is alive or dead, I am indifferent when it comes to essays. I like
the deceased Michel de Montaigne, E. B. White and Christopher Hitchens, as well
as the living (but getting older) Joseph Epstein and Willard Spiegelman. I
don’t read much poetry, as I am untutored in the subject. And I have an
aversion to those who skillfully (though not subtly) impose their political preferences
on an unwitting reader, like Bill O’Reilly and Doris Kearns Goodwin.
I always find it amusing that authors,
when interviewed for the Sunday New York Times Book Review, mention that their
bedside tables hold a half-dozen books. Mine has a dozen, ranging from Earning
the Rockies, by Robert Kaplan to Jane Austen’s Sense and Sensibility.
There are another thirty sitting on my desk waiting to be picked up: Kafka’s The
Castle and Christopher Hitchens’ And Yet square off against Grit
and A World in Disarray, by Angela Duckworth and Richard Haass
respectively. While not assigning anthropomorphic qualities to books, I
nevertheless believe that each fights for attention.
Sometimes a book jumps to the head of
the line. That happened recently when my brother Frank suggested Sugar in
the Blood by Andrea Stuart – a history of Ms. Stuart’s mixed-race heritage,
in which she traces her roots back 400 years, to both owners and slaves on a
Barbados sugar plantation.
As one ages, time rushes by. Like most,
my reading is not confined to books. Because of my weekly essays (mistitled as
Thoughts of the Day), I stay current on news; so it’s five newspapers a day.
(If there were one paper that was truly unbiased my job would be simpler!) I
also get sent essays and articles, most of which I peruse. And I try to stay
reasonably up-to-date regarding two not-for-profit boards on which I serve. Besides,
I have a wife, three children with spouses and ten grandchildren, all of whom I
love and deserve more attention than I give them. There are other distractions:
crossword puzzles; lunches and dinners with friends; and the woods near our new
home which beckon; I find walking through them provides a modicum of exercise
and clears up unwanted but ever-present, mind-numbing cobwebs. Unfortunately, I
need eight hours of sleep. So time is short. What gets omitted is television
and, to my wife’s dismay, movies. As for the latter, I periodically succumb and
am almost always glad when I do.
One should always have a horde of
easy-reading books, to read when not feeling well – like comfort food, only for
the mind. In that category, I place the aforementioned Wodehouse, along with
mysteries by Rex Stout, Agatha Christie, Beverly Nichols and two or three local
writers of mysteries (local to this part of Connecticut): David Handler, James
Benn and a woman whose husband I recently met, Ann Blair Kloman. The latter’s
heroine is nice little old lady, Isobel, who, in order to live the life to
which she was accustomed before her husband died, has become a contract killer…but
only to put away those who are truly evil!
Even though my shelf space, since
moving, has shrunk, it is books made with paper that attract me. I have tried
electronic books, and I know that for many they are critical. For some, it is
the ability to adjust the print size; for others, it is the convenience of
carrying a library on a tabloid. But I like the feel of a book and the turning
of pages. In recent years, I have taken to paperbacks, as I find my ability to
recall is better when I underline particular passages. Remembering what one has
read is therapeutic. I recall when my grandmother could no longer read, she
used to recite poetry, poems she had learned as a young girl.
Reading is individual and endlessly
educational. The late critic Edmund Wilson wrote, “No two persons ever read the same book.” He’s right. A reader
inevitably places what he reads in a context with which he (or she) is
familiar. Dr. Seuss saw the wisdom in reading. It is not just for entertainment
– though that is important – but to get understanding: “The more that you learn, the more places you’ll go.”
[1] P.G. Wodehouse, of course, published his last book in 1974,
a year before he died. He poked fun at himself and at Russian novelists. In his
1922 collection of ten golfing stories, The Clicking of Cuthbert, he
writes of a fictional Russian writer, Brasiloff, who “…specialized in grey studies of hopeless misery…” Brasiloff is
quoted: “No novelists anywhere any good
except me. P.G. Wodehouse and Tolstoy not bad. Not good, but not bad.”
Labels: Books, Essays from Essex, Reading
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